Learning to See Creatively: Design, Color & Composition in Photography (Repost)

Bryan Peterson, "Learning to See Creatively: Design, Color & Composition in Photography"


English | ISBN: 0817441816 | 2003 | EPUB | 160 pages | 36 MB

Almost everyone can “see” in the conventional sense, but developing photographic vision takes practice. Learning to See Creatively helps photographers visualize their work, and the world, in a whole new light.




Now totally rewritten, revised, and expanded, this best-selling guide takes a radical approach to creativity. It explains how it is not some gift only for the “chosen few” but actually a skill that can be learned and applied. Using inventive photos from his own stunning portfolio, author and veteran photographer Bryan Peterson deconstructs creativity for photographers. He details the basic techniques that went into not only taking a particular photo, but also provides insights on how to improve upon it—helping readers avoid the visual pitfalls and technical dead ends that can lead to dull, uninventive photographs.




This revised edition features the latest information on digital photography and digital imaging software, as well as an all-new section on color as a design element. Learning to See Creatively is the definitive reference for any photographers looking for a fresh perspective on their work.

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Color by Fox: The Fox Network and the Revolution in Black Television

Color by Fox: The Fox Network and the Revolution in Black Television by Kristal Brent Zook


English | 1 Jan. 1999 | ISBN: 0195105486 | 180 Pages | PDF | 12 MB

Offering a fascinating examination of the explosion of black television programming in the 1980s and 1990s, this book provides, for the first time ever, an interpretation of black TV based in both journalism and critical theory. Locating a persistent black nationalist desire―a yearning for home and community―in the shows produced by and for African-Americans in this period, Zook shows how the Fox hip-hop sitcom both reinforced and rebelled against earlier black sitcoms from the sixties and seventies. Incorporating interviews with such prominent executives, producers, and stars as Keenan Ivory Wayans, Sinbad, Quincy Jones, Robert Townsend, Charles Dutton, Yvette Lee Bowser, Ralph Farquhar, and Susan Fales, this study looks at both production and reception among African-American viewers, providing nuanced readings of the shows themselves as well as the sociopolitical contexts in which they emerged. While black TV during this period may seem trivial or buffoonish to some, Sly as a Fox reveals its deep-rooted ties to African-American protest literature and autobiography, and a desire for social transformation.

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